Motivation Behind the Murder of Santiago Nasar’s Murder and Exploration of the Themes of Cultural Conventions and Women’s Societal Roles

This theodolite from Gabriel Garcia Marquezs, Chronicles of a ending Foretold, occurs at the end of chapter two shortly aft(prenominal) Angela Vicario is returned back to her family in disgrace later on her groom discovers that she had premarital sex with some other soldiery. In this utter Angela Vicario is beaten savagely albeit silently at the hand of her comwork forcece for shaming the family delight in ahead her twin brothers take protrude her to give up the stir of the homo whom she lost her virginity to, in which she names an unobjectionable man, capital of Chile Nasar. deep down this passage, the importance of value is evident when the lost virginity of Angela leads to the disgrace of some(prenominal) her groom and her family as well as leading to the demolition of an clear man in Santiago Nasar by consequence. It is to a fault within this passage that readers find out the motive female genitals the carrying into action of Santiago Nasar, which is discov ered to be an unfortunate coincidence, which along with the other coincidences in the rest of the reinvigorated convey the approximation that Santiago death was hence a death foretold.This passage is significant because it reveals two central approximations in the the problems with overaged conventions of a hunting lodge, and the paper of fate- as well as revealing ane of the most crucial aspect of the novel, the need behind the writ of execution of Santiago Nasar. In this novella, Marquez attempts to express the conventions of a south American baseball club. From this passage al unitary, it is constitute how important the pureness of a woman and honor is for a family.Bayardo San roman letters returns Angela on the akin dark of their wedding because he discovers that she lost her virginity to some other man forward their marriage. The humiliation of having a wife whose virginity was taken away from her by a nonher man is cast upon San Roman because of the customs of the society which forces him to return her notwithstanding his love for her. Marquez unveils the customs of the society in intentions such as San Romans refusal of an impure Angela in rate to subtly criticize them.San Roman breaks his marriage to a woman who he loves because of the fact that in their society it is shameful to not be the one who takes the virginity away from the wife. This is done again within the passage, when the twins trembling with furore (Marquez 47) force Angela to tell them who it was (Marquez 47) who took her virginity so that they whitethorn avenge her lost of honor. This forces her to them Santiago Nasars name, who is most likely innocent, in order to protect the identity of the true perpetrator. done this sequence, these time-honored conventions of the society ar shown at one time again to be poor, when an innocent man, Nasar, essential be sacrificed in order to pull through and through the honor of a family. Along with the theme of conventio ns of society, Marquez integrates the theme of women in this society to advertize criticize the outdated customs that be present. Pura, the mother, upon receiving her daughter back in disgrace, beatniks her with such rage that Angela that she was going to come out her (Marquez 46).In this violent beating, the painful emotions within Pura are seen her daughter has dismantled her honor. Pura represents the specimen woman in this society, one who use herself with such spirit of sacrifice to the safekeeping of her husband and the rearing of her children that at propagation one forgot she still existed (Marquez 31). She, herself, has lived a spirit of suffering because of the societal conventions of women roles, and she raised her daughters with the same demeanor. Through the return of her daughter, her reputation has been tarnished and she feels as though she has failed.The manner in which she get the better of Angela with such stealth that her husband didnt find out anything u ntil dawn (Marquez 46) reinforces this estimation of her flavor as sacrificing for her husband that in even moments of anguish she allows her husband to slang his rest while she deals with the problems. From the perspective of Angela, she defies the conventions of society and has premarital sex and does not victimize her husband into believe that she is a virgin. She faces the consequences when she is returned hardly at the end of it feels as if the sleepiness of death had finally been lifted (Marquez 47).She is relieved that she does not nonplus to live life any longer in worship of someone finding out that she is no longer a virgin. This passage, the characterization growth of Angela can be seen as become more independent and stronger as the saddle of the her lost virginity is lifted off her shoulders. Nevertheless, the customs of treating disgraced women in this society are shown and the severe consequence of lost family honor is demonstrated through the outdated conv entions of the South American society. In addition to formulation of cultural conventions, this passage also sustains the idea of a death foretold.In the novella there are umteen circumstantial coincidences that all ultimately lead to the murder of Santiago Nasar, such as the mayor checking his game of Dominoes which delay him from fillet the twins from murdering Nasar, Cristo Bedoya having to help a queasy man when trying to warn Nasar and Placida Linero, Nasars mother, shutting the door to the house believing Nasar was inside which prevented Nasar from escaping the assault of the twins. The naming of Nasar as the man who took Angelas virginity is no different. From the passage, it is clear that Nasar is innocent and that it was misfortune that his name was attached.When demanded for the name of her perpetrator, Angela looked for it in the shadows (Marquez 47) and found it at start-off sight among the many, many easily heterogeneous names from this world and the other (Mar quez 47). The many, many names represent the possible men that came across Angelas mind before she gave her upshot, the fact that they are easily preoccupied in the mind of Angela suggest that it she did indeed give a dishonest answer to protect that man who took her virginity as she would not have forgotten the name of that man.The thread describes the naming of Nasar out of all the potentiality names by Angela as her nailing it to the bulwark with her well-aimed dart, like a romance with no allow for whose sentence has always been scripted (Marquez 47). The comparison of Santiagos situation after be named as the one who disgrace Angela and the situation of a woo pinned by a dart to a wall with no will is Marquezs way of explaining that from that moment Nasar was as candid as dead. Like a simplyterfly pinned to a wall, Nasars fate has been pinned by the naming from Angela, he cannot escape the retribution of the Vicario brother.Moreover, in this naming of Nasar, the pauperism behind his murder is finally revealed. A false claim has that was forced to be given led to the death of an innocent man. not only is this significant to the plot, as it reveals why Nasar was murdered even though he himself did not know upon his death, but it helps to fly off the handle some of the themes in the novella. Themes such as honor and outdate conventions are strengthened by learning the motive behind the murder of Santiago Nasar. The importance of honor and the conventions of the cultivation are evident when the Vicario brothers learn that it was Nasar who dishonored their sister.They are forced to murder Nasar against their will for redemption while the rest of the society condones this and even encourages it because its is what is expected in the culture. This extract which is taken from the end of the second chapter in Gabriel Garcia Marquezs, Chroncles of a Death Foretold, is significant because it reveals the motivation behind the murder of Santiago Nasar , an innocent man, and expresses the authors thoughts of fate and outdated customs of the South American society.Within this passage, Angela names Santiago Nasars as the man who took away her virginity for an unknown reason, which on base with many other coincidences crystallize the idea that it was a death foretold and that it could not have been stopped. Along with this theme of fate, the role of women in this society can be seen through both Angela who represents one who defies the customary role of women and Pura who epitomizes the role of women.Angelas defiance of the conventional womans role leads to her being returned back by her groom in disgrace, not only is she shamed but the family name has been stained. Marquezs use of wizard(prenominal) realism to portray Angelas thoughts before naming Nasar and the use of the butterfly illustration at the end of the passage come the extremities that must be carried out in the society for a family to regain their honor. expression Count 1492 Work Cited Marquez, Gabriel Garcia. Chronicles of a Death Foretold. Trans. Gregory Rabassa. New York KNOPF, 1982.